with your whole mind

#greeknewtestament #biblestudy
Mark 12:29-30

"and you will love the the lord god  of you from whole of the heart
and from whole of the soul of you

and from the whole of the mind of you 

yes the greek is ex holees and genitive 

Points of interest in the parallel Two Commandments verse

see Luke 10:27 and Matthew 22:37

ONE Matthew and Luke use Dative plus EN  with in equalling with cos of dative of agent
however the basic idea is the same you use the whole of your self to love
heart soul mind strength
and note its holos not pas used here

TWO with your mind is NOT in the verse from Leviticus 19:18 being quoted
Jesus adds you must use your capacity for dianoia - thought

Also note Jesus approval of the scribe's answer in 33
and with all the understanding in the RSV translation
the greek there is suneseoos from sunesis

We're being asked to understand and think about our relationship with the Divine.

To love but love with our entire mind but not simply focused and thinking and understanding or trying to WHY WE LOVE

Garish Colors - Lapis Lazuli Blue

#lapislazuli #blue #pigment #ancientpainting.

The strongest pigment in the ancient palette was probably lapislazuli or ultramarine blue.
It was also the most expensive having to be imported from what is now Afghanistan.

Blue could also be obtained from smalt ot azurite but the peculiar porous structure of this mineral makes it work better as a pigment than as a gemstone.

So if you're thinking bright blue appeared on buildings and artworks.

Probably not unless blended with other pigments to make it go further.

The unprocessed mineral form.

Due to it being so expensive I have not have found any pre byzantine mosaics or frescos or encaustic painting  that seem to be using blue that clearly derives from ultramarine.

Sometimes I've seen dark or light blues but these could be smalt or azurite blended with other pigments.

S bright garish blues ... maybe not ?

Garish Colors - Cinnabar Red

GARISH COLOURS - CINNABAR RED

#classicalart #ancientgreekpainting #romanpainting #pigments # cinnabar

Probably the Brightest Strongest Mineral Pigment available to the Greeks and Romans was #Cinnabar #MercurySulphide

If you think painted statues or wall paintings were a riot of bright reds greens yellows and blues ... er no ... the Greeks and Romans had a more limited range of pigments available than we do.
But yes some of those all now seemingly serene marble sculptures may have had red clothing and cinnabar mixed with other pigments for skin tones.

This is what cinnabar looks like.

Please bear in mind that cinnabar can be toxic and especially in its powdered form should be handled with gloves and a mask and washing of any exposed skin and probably clothes too.

The raw mineral ore form

Powder and wet pigment


Its a gorgeous warm color stronger than Realgar or any of the Iron Oxide reds from clays.

Cadmium Red wasn't discovered until the 19th century.

Cinnabar red is also known as Vermilion or sometimes as Minium.

If you're planning to try to duplicate the reds seen on Roman frescoes I suggest you use modern paints to avoid the toxicity problem and bear in mind another problem with sulphides is that they do NOT BLEND WELL with pigments from copper ore.

I did consult Wikipedia and other sources but that was to check if what I remembered from art school decades ago was still valid and up to date.

Is AGAPE A LOAN WORD

Is AGAPE a loan Word from an West Semitic Afroasiatic language?

I've seen arguments for and against but I think yes for THREE reasons

ONE

There are no cognates to AGAPE in other IndoEuropean languages
even if you prefer the agape is aga with a verbal suffix added why no other cognates ?

TWO Hebrew Aramaic and Arabic have cognate words !

Aramaic has Chav / Hoeba etc KH-V
Hebrew has AHAV  HB
Arabic has H B B  hubb habba ahabba.

But Agape appears in Homer!
 Yes and so do Phoenician traders and stories about Greeks and Phoenicians intermarrying.

But Hebrew and Aramaic the Rkh M stem  more frequently!

So how do I explain this?

I think just as it is in modern standard colloquial Arabic likewise in ancient time it was a popular non literary term. Slang even !

It was brought to Greece maybe as early as the Mycenaean period by refugees from the collapse and defeat of the Hyksos dynasty described in myths as Egyptians and hearing it used by later Phoenician traders reinforced its usage plus there would have been Greek mercenaries who picked it up working in the Near East for the Assyrians and Persians alongside others who spoke West Semitic languages.

Frankly I expect there is a reasonable chance cognates to H B B will turn up on ancient tablets yet to be discovered.

One last point.

How did or could (a)H vowel B change to agape?

There is evidence many words or syllables starting with p or b may be been gw or kw sounds in older forms of Greek.

The sound written H in our alphabet in modern Western Semitic languages is an unvoiced version of AYN and ... we tend to hear ha but maybe greeks could only say gwa or hwa and changed the BB to a P the two Bs fusing into one P ?

We can't know for sure but this is what I speculate happened!

Your choice which you prefer!

If anyone reading this blog is far more fluent in Aramaic than me I've love to see and add some more examples that are NOT cited in the most common Google searches.

GARISH OR NOT

#ancientart #classicalgreekart #pigments #paintings

GARISH OR NOT

Part One of a series

Were ancient Greek temples statues and paintings BRIGHT LOUD COLORs or not ?

Lets start by looking at what pigments were actually available

YELLOW only from Sulphides

Yellow pigments from plants would not be suitable for painting on stone or would fade

YELLOW OCHRE  Available  used for Ceramics Frescos and probably painting

ORANGE Arsenic sulphide

RED Mercury Sulphide called Cinnabar

GREENS from Malachite or Azurite which had to be imported so expensive to use !

BLUE Smalt or Lapis Lazuli or Azurite

ALL EXPENSIVE TO import and process!

There could have been some use of woad from plants for blue but that would have been an import too.

Also Sulphide based pigments do not blend well with certain others ...

REDs and Yellows yes but Bright Greens and Blues

not unless whoever was paying for the painting was a wealthy city or aristocrat or merchant or a group thereof.

So here's what some of the pigments looked like

Lapis Lazuli ground up for mixing with mediums

Sulphides for reds and yellows in their raw form

Next post I will be discussing mineral ore pigments in greater detail

My perspective on this will be not just that of a classicist but also of an artist who has used a variety of paints for watercolor acrylic oils and pigments for ceramics too!

Genuine Greek

#biblestudy #wordstudy #greek #newtestamentgreek

GENUINE GREEK

Here's a word that is post classical yet genuine and grammatical greek from Romans 12:9

ANUPOKRITOS 

Its variously been translated as genuine unfeigned undisguised or by a phrase like with all sincerity or without dissimulation. IN form it is a verbal adjective - tos plus kri derived from the verb hypokrinomai and its radical kri  The n inserted before u is a little odd since the initial a is probably the privative prefix  meaning un or not but it is a sensible useful and grammatical word.

"not played" "not being fake" "may it not be played or a pretence" "Not capable of being faking"

Also that whole passage from 9 to 21 is full of an interesting diversity of adjectives and other forms and a good inspiring guide to ethics !  

An Image of Maia

There are very few images of #Maia in Ancient Classical Greek art however it is thought this is one of them.

Its from a ceramic vessel and is part of a larger painting by the Nikoxenos painter (approx. 500 B.C.) showing a Council of the Gods.

Its thought to be Maia because she is standing next to Hermes.