Showing posts with label myth. Show all posts
Showing posts with label myth. Show all posts

Thursday, 15 October 2020

ATHENA as a Warrior

 #Athena 

A series of posts featuring Images of Athena in Classical Greek Art 


Here we see Athena as a warrior defeating Encelados the Giant a child of Gaia who is said to be buried under Mount Etna in Sicily.

We can see the shield straps telling us something about how the Greeks used and carried round shields.
She has the elaborate embroidered robe of an upper class woman but the helmet of a warrior.

The battle of Athena and Encelados is depicted on various ceramics and is mentioned by Euripides in his ION, and also Callimachus, Apollodoros, Pausanias, Nonnos,  and the Latin poets Virigil, Statius,Horace, and Claudian, though some writers attribute his defeat to Dionysios or Zeus.



Tuesday, 14 February 2017

EROS PRIMORDIAL

#eros #myth #aristophanes #hesiod


EROS was originally depicted as a young man or a teenager.
The depictions of Eros as a child or baby start appearing in the Hellenistic era.

The myth about his origins seems to have changed sometime in the Classical or Hellenistic era.

People writing about him in Greek and Latin started describing him as the Child of Aphrodite and Ares but in older texts he is a PRIMORDIAL being predating the Olympians.

Hesiod Lines 116 Theogony describes Chaos as being the first being and then Earth line 120-22 Tartaros and EROS "most beautiful among the immortal gods"

One fragment of Parmenides writings also refers to EROS as the first born

Aristophanes uses a variant of  this older myth to support the idea the Birds are the oldest of beings .

Lines 696 >> Eros is the first being to be born from an egg with golden wings and Line 703 hence the Birds are the children of love since they fly ...


Aristophanes version came form the Orphic mysteries but all these writers Hesiod, Parmenides and Aristophanes and the Orphics agree EROS is something primordial and ever young.


Sunday, 25 October 2015

Parable or Myth and Hellenic influence on Jewish culture

PARABLE OR MYTH
and Hellenic Influence on Jewish Culture

Why does New testament Greek use the word parable rather than Myth when both mean story and can refer to fiction and prose.

Many scholars have suggested parabolee is a translation of mashal(im) but why would Matthew chose that word amongst several available?

I suggest and suspect if we had the textual evidence we would find the usage can be traced to the Alexandrian Greek speaking Jewish community which had been exposed to Greek philosophy and rhetoric.

In Greek rhetoric a parabolee is a short story inserted within a longer text or speech used to illustrate an idea or compare it to another idea.

There is also another Greek word parabolos that can be translated as side meaning and the prefix para implies parallels , juxtaposition, something nearby moving along with a similar course ...

Given Alexandria and First century AD Palestine had large populations with people with varying degrees of fluency in Greek I can see the two words fusing into one?

It is also intriguing as it suggests the possibility that rhetorical texts like Aristotles Topics and Rhetoric or Isocrates speeches were well known outside the Hellenic speaking communities in major cities?

Were there Jewish teachers of basic rhetoric training other scribes and teachers on how to explain mashalim to Greek speaking Jews or even teaching Aristotle or Isocrates to students who might need to interact with Greek speakers?

In Northern Galilee of all places?

Or does this tell us something about Matthew himself?

In a single lies hidden lost histories!

Tuesday, 12 November 2013

ATHENA Athens and Pottery

ATHENA ATTICA AND POTTERY

Athenaeus 1. 28c records a myth about Athena and Attic Pottery and her invention of the potters' wheel

τὸν δὲ τροχὸν γαίας τε καμίνου τ̓ ἒκγονον

κλεινότατον κέραμον, χρησίμον οἰκονόμον,

ἡ τὸ καλὸν Μαραθῶν καταστήσα τρόπαιον

and the potters wheel clay and oven she discovered / begot?
Noblest pottery useful for housekeeping
she who (at) marathoon  raised fine trophy

καὶ ἐπαινεται ὄντως ὁ Ἀττικὸς κέραμος.

and Attic pottery is held in high esteem

I wonder if there were ancient kilns near Marathon?


Friday, 14 September 2012

Amphitrite in Art Two

Amphitrite in Art Two .
Here's two more vase paintings.
The first one features Theseus Athena and Amphitrite.


There is a story that Minos tested Theseus' claim to be a son of Poseidon by throwing a ring into the sea. Theseus dived in after it. Aided by dolphins he swam down to Amphitrite's underseas palace and retrieved not only the ring but also a golden crown.

Given the presence of dolphins and Triton supporting Theseus plus Athena appearing this suggests to me that there may have been another lost version of this story in which Athena sponsors and protects Theseus as he encounters his father's wife and given how mnay dramas did NOT survive even perhaps a play in which Athena argues for the need for wives to be kind to sons their husbands had by other women?




The other story we have about Poseidon and Amphitrite is that she was reluctant to marry him and this image seems to show Iris messenger of the gods acting as a matchmaker between the two gods?

Sometimes when written versions don't surivive as more than summaries in the mythographers vase paintings and other art give us more of the story.

But don't forget the ancients may have perceived these images differently!



Tuesday, 4 September 2012

KHAOS AND CREATION


KHAOS AND CREATION


Khaos is how Χάος was pronounced by the ancientGreeks.
The letter Χ “Chi” was an aspirated / kh /.
We tend to think of Chaos as the opposite to order but the actual word originally meant a wide open open or a wide opening and SPACE might be a more accurate translation.

How do scholars know this?

For those of you who don't have access or ownership of the Lidell online or in print here's some words to consider as proof.

Χάσμα a chasm or gulf then these verbs Χάσκω Χασκάζω Χαίνω open wide gape yawn.

Hesiod in his Theogony wrote first (πρώτιστα ) Chaos came into being γένετ̓ (Line 116) next Gaia widebreasted and her siblings Erebos and Night (123)n Heaven and the Mountains and Ocean and the Titans and much more.

Notice how Hesiod uses geneto not poieo become be born not made.

The world comes into being by change in the earliest Greek myths though later versions such as that in Ovid's metamorphoses means a possible creator. There's a process from a primordial unity into complexity and multiplicity from oneness to many.

You might want to read the beginning of Ovid's metamorphoses and contrast the two.
Hesiod's version judging from authors philosophers and poets between his time and that of Ovid's wasn't the ONLY version known to the Greeks. Mythmaking was an active process. Stories change.

The opposite of Chaos is Cosmos the Ordered arranged world but that's another story!