#lapislazuli #blue #pigment #ancientpainting.
The strongest pigment in the ancient palette was probably lapislazuli or ultramarine blue.
It was also the most expensive having to be imported from what is now Afghanistan.
Blue could also be obtained from smalt ot azurite but the peculiar porous structure of this mineral makes it work better as a pigment than as a gemstone.
So if you're thinking bright blue appeared on buildings and artworks.
Probably not unless blended with other pigments to make it go further.
The unprocessed mineral form.
Due to it being so expensive I have not have found any pre byzantine mosaics or frescos or encaustic painting that seem to be using blue that clearly derives from ultramarine.
Sometimes I've seen dark or light blues but these could be smalt or azurite blended with other pigments.
S bright garish blues ... maybe not ?
Tuesday, 29 May 2018
Wednesday, 23 May 2018
Garish Colors - Cinnabar Red
GARISH COLOURS - CINNABAR RED
#classicalart #ancientgreekpainting #romanpainting #pigments # cinnabar
Probably the Brightest Strongest Mineral Pigment available to the Greeks and Romans was #Cinnabar #MercurySulphide
If you think painted statues or wall paintings were a riot of bright reds greens yellows and blues ... er no ... the Greeks and Romans had a more limited range of pigments available than we do.
But yes some of those all now seemingly serene marble sculptures may have had red clothing and cinnabar mixed with other pigments for skin tones.
This is what cinnabar looks like.
Please bear in mind that cinnabar can be toxic and especially in its powdered form should be handled with gloves and a mask and washing of any exposed skin and probably clothes too.
The raw mineral ore form
Powder and wet pigment
Its a gorgeous warm color stronger than Realgar or any of the Iron Oxide reds from clays.
Cadmium Red wasn't discovered until the 19th century.
Cinnabar red is also known as Vermilion or sometimes as Minium.
If you're planning to try to duplicate the reds seen on Roman frescoes I suggest you use modern paints to avoid the toxicity problem and bear in mind another problem with sulphides is that they do NOT BLEND WELL with pigments from copper ore.
I did consult Wikipedia and other sources but that was to check if what I remembered from art school decades ago was still valid and up to date.
#classicalart #ancientgreekpainting #romanpainting #pigments # cinnabar
Probably the Brightest Strongest Mineral Pigment available to the Greeks and Romans was #Cinnabar #MercurySulphide
If you think painted statues or wall paintings were a riot of bright reds greens yellows and blues ... er no ... the Greeks and Romans had a more limited range of pigments available than we do.
But yes some of those all now seemingly serene marble sculptures may have had red clothing and cinnabar mixed with other pigments for skin tones.
This is what cinnabar looks like.
Please bear in mind that cinnabar can be toxic and especially in its powdered form should be handled with gloves and a mask and washing of any exposed skin and probably clothes too.
The raw mineral ore form
Powder and wet pigment
Its a gorgeous warm color stronger than Realgar or any of the Iron Oxide reds from clays.
Cadmium Red wasn't discovered until the 19th century.
Cinnabar red is also known as Vermilion or sometimes as Minium.
If you're planning to try to duplicate the reds seen on Roman frescoes I suggest you use modern paints to avoid the toxicity problem and bear in mind another problem with sulphides is that they do NOT BLEND WELL with pigments from copper ore.
I did consult Wikipedia and other sources but that was to check if what I remembered from art school decades ago was still valid and up to date.
Sunday, 20 May 2018
Is AGAPE A LOAN WORD
Is AGAPE a loan Word from an West Semitic Afroasiatic language?
I've seen arguments for and against but I think yes for THREE reasons
ONE
There are no cognates to AGAPE in other IndoEuropean languages
even if you prefer the agape is aga with a verbal suffix added why no other cognates ?
TWO Hebrew Aramaic and Arabic have cognate words !
Aramaic has Chav / Hoeba etc KH-V
Hebrew has AHAV HB
Arabic has H B B hubb habba ahabba.
But Agape appears in Homer!
Yes and so do Phoenician traders and stories about Greeks and Phoenicians intermarrying.
But Hebrew and Aramaic the Rkh M stem more frequently!
So how do I explain this?
I think just as it is in modern standard colloquial Arabic likewise in ancient time it was a popular non literary term. Slang even !
It was brought to Greece maybe as early as the Mycenaean period by refugees from the collapse and defeat of the Hyksos dynasty described in myths as Egyptians and hearing it used by later Phoenician traders reinforced its usage plus there would have been Greek mercenaries who picked it up working in the Near East for the Assyrians and Persians alongside others who spoke West Semitic languages.
Frankly I expect there is a reasonable chance cognates to H B B will turn up on ancient tablets yet to be discovered.
One last point.
How did or could (a)H vowel B change to agape?
There is evidence many words or syllables starting with p or b may be been gw or kw sounds in older forms of Greek.
The sound written H in our alphabet in modern Western Semitic languages is an unvoiced version of AYN and ... we tend to hear ha but maybe greeks could only say gwa or hwa and changed the BB to a P the two Bs fusing into one P ?
We can't know for sure but this is what I speculate happened!
Your choice which you prefer!
If anyone reading this blog is far more fluent in Aramaic than me I've love to see and add some more examples that are NOT cited in the most common Google searches.
I've seen arguments for and against but I think yes for THREE reasons
ONE
There are no cognates to AGAPE in other IndoEuropean languages
even if you prefer the agape is aga with a verbal suffix added why no other cognates ?
TWO Hebrew Aramaic and Arabic have cognate words !
Aramaic has Chav / Hoeba etc KH-V
Hebrew has AHAV HB
Arabic has H B B hubb habba ahabba.
But Agape appears in Homer!
Yes and so do Phoenician traders and stories about Greeks and Phoenicians intermarrying.
But Hebrew and Aramaic the Rkh M stem more frequently!
So how do I explain this?
I think just as it is in modern standard colloquial Arabic likewise in ancient time it was a popular non literary term. Slang even !
It was brought to Greece maybe as early as the Mycenaean period by refugees from the collapse and defeat of the Hyksos dynasty described in myths as Egyptians and hearing it used by later Phoenician traders reinforced its usage plus there would have been Greek mercenaries who picked it up working in the Near East for the Assyrians and Persians alongside others who spoke West Semitic languages.
Frankly I expect there is a reasonable chance cognates to H B B will turn up on ancient tablets yet to be discovered.
One last point.
How did or could (a)H vowel B change to agape?
There is evidence many words or syllables starting with p or b may be been gw or kw sounds in older forms of Greek.
The sound written H in our alphabet in modern Western Semitic languages is an unvoiced version of AYN and ... we tend to hear ha but maybe greeks could only say gwa or hwa and changed the BB to a P the two Bs fusing into one P ?
We can't know for sure but this is what I speculate happened!
Your choice which you prefer!
If anyone reading this blog is far more fluent in Aramaic than me I've love to see and add some more examples that are NOT cited in the most common Google searches.
Wednesday, 16 May 2018
GARISH OR NOT
#ancientart #classicalgreekart #pigments #paintings
GARISH OR NOT
Part One of a series
Were ancient Greek temples statues and paintings BRIGHT LOUD COLORs or not ?
Lets start by looking at what pigments were actually available
YELLOW only from Sulphides
Yellow pigments from plants would not be suitable for painting on stone or would fade
YELLOW OCHRE Available used for Ceramics Frescos and probably painting
ORANGE Arsenic sulphide
RED Mercury Sulphide called Cinnabar
GREENS from Malachite or Azurite which had to be imported so expensive to use !
BLUE Smalt or Lapis Lazuli or Azurite
ALL EXPENSIVE TO import and process!
There could have been some use of woad from plants for blue but that would have been an import too.
Also Sulphide based pigments do not blend well with certain others ...
REDs and Yellows yes but Bright Greens and Blues
not unless whoever was paying for the painting was a wealthy city or aristocrat or merchant or a group thereof.
So here's what some of the pigments looked like
Lapis Lazuli ground up for mixing with mediums
Sulphides for reds and yellows in their raw form
Next post I will be discussing mineral ore pigments in greater detail
My perspective on this will be not just that of a classicist but also of an artist who has used a variety of paints for watercolor acrylic oils and pigments for ceramics too!
GARISH OR NOT
Part One of a series
Were ancient Greek temples statues and paintings BRIGHT LOUD COLORs or not ?
Lets start by looking at what pigments were actually available
YELLOW only from Sulphides
Yellow pigments from plants would not be suitable for painting on stone or would fade
YELLOW OCHRE Available used for Ceramics Frescos and probably painting
ORANGE Arsenic sulphide
RED Mercury Sulphide called Cinnabar
GREENS from Malachite or Azurite which had to be imported so expensive to use !
BLUE Smalt or Lapis Lazuli or Azurite
ALL EXPENSIVE TO import and process!
There could have been some use of woad from plants for blue but that would have been an import too.
Also Sulphide based pigments do not blend well with certain others ...
REDs and Yellows yes but Bright Greens and Blues
not unless whoever was paying for the painting was a wealthy city or aristocrat or merchant or a group thereof.
So here's what some of the pigments looked like
Lapis Lazuli ground up for mixing with mediums
Sulphides for reds and yellows in their raw form
My perspective on this will be not just that of a classicist but also of an artist who has used a variety of paints for watercolor acrylic oils and pigments for ceramics too!
Sunday, 13 May 2018
Genuine Greek
#biblestudy #wordstudy #greek #newtestamentgreek
Here's a word that is post classical yet genuine and grammatical greek from Romans 12:9
GENUINE GREEK
Here's a word that is post classical yet genuine and grammatical greek from Romans 12:9
ANUPOKRITOS
Its variously been translated as genuine unfeigned undisguised or by a phrase like with all sincerity or without dissimulation. IN form it is a verbal adjective - tos plus kri derived from the verb hypokrinomai and its radical kri The n inserted before u is a little odd since the initial a is probably the privative prefix meaning un or not but it is a sensible useful and grammatical word.
"not played" "not being fake" "may it not be played or a pretence" "Not capable of being faking"
Also that whole passage from 9 to 21 is full of an interesting diversity of adjectives and other forms and a good inspiring guide to ethics !
Wednesday, 9 May 2018
An Image of Maia
There are very few images of #Maia in Ancient Classical Greek art however it is thought this is one of them.
Its from a ceramic vessel and is part of a larger painting by the Nikoxenos painter (approx. 500 B.C.) showing a Council of the Gods.
Its thought to be Maia because she is standing next to Hermes.
Its from a ceramic vessel and is part of a larger painting by the Nikoxenos painter (approx. 500 B.C.) showing a Council of the Gods.
Its thought to be Maia because she is standing next to Hermes.
Sunday, 6 May 2018
TEXTUAL VARIANT IN MARK 10:19
Well I have found a verse in which there actually is a significant textual variant.
#biblestudy #greeknewtestament #koinegreek #textualcriticism
Usually I tell people NOT to worry too much about Textual Variants.
This one is minor ONE ADDED Verbal Phrase but Significant for Doctrinal Reasons
Okay Mark 10:19 and in Mark ONLY to the list of commandments is added one phrase
Do NOT defraud mee apostereeseeis Aorist Subjunctive.
Apostereoo means to NOT rob bereave or defraud someone of something that is rightfully theirs.
It is not in the ten commandments but seems to derive from the Greek translation of Deuteronomy 24 : 14 -15 in which employers are told not to oppress workers local or foreign by denying or failing to give their wages.
So why would Mark or some later scribe insert this when its not in the other gospels?
Consider the context the right young man trying to prove how righteous he is and how he deserves salvation.
It may possibly have been added by a later scribe than mark but the message is valid and biblical!
Don't stress on the small differences like this though! Its one phrase!
#biblestudy #greeknewtestament #koinegreek #textualcriticism
Usually I tell people NOT to worry too much about Textual Variants.
This one is minor ONE ADDED Verbal Phrase but Significant for Doctrinal Reasons
Okay Mark 10:19 and in Mark ONLY to the list of commandments is added one phrase
Do NOT defraud mee apostereeseeis Aorist Subjunctive.
Apostereoo means to NOT rob bereave or defraud someone of something that is rightfully theirs.
It is not in the ten commandments but seems to derive from the Greek translation of Deuteronomy 24 : 14 -15 in which employers are told not to oppress workers local or foreign by denying or failing to give their wages.
So why would Mark or some later scribe insert this when its not in the other gospels?
Consider the context the right young man trying to prove how righteous he is and how he deserves salvation.
It may possibly have been added by a later scribe than mark but the message is valid and biblical!
Don't stress on the small differences like this though! Its one phrase!
Wednesday, 2 May 2018
MAY and MAIA and a Mosaic
This is part of the #Sousse Calendar a #NorthAfrican #Mosaic
Below are two ways in which it shows GREEK influence !
#typography #lettering #roman abc #greekscript
ONE the lettering style and shapes
Yes this is Latin and the Roman Alphabet we use but look carefully at the letter shapes particularly the A and the final S. Does this remind you of #GreekUncial ?
#palaeography #epigraphy
and the god shown is #Hermes / #Mercury whose mother was #MAIA
Why is May named after a goddess?
Consider the legends the Romans had about a group of Arcadians and their king migrating into Latium and their belief they and the Greeks worshipped the same gods?
Finally I also wonder if the designer of this mosaic was possibly a Greek living in or visiting North Africa. It's been counted to between the 3rd and 4th century A.D.
Below are two ways in which it shows GREEK influence !
#typography #lettering #roman abc #greekscript
ONE the lettering style and shapes
Yes this is Latin and the Roman Alphabet we use but look carefully at the letter shapes particularly the A and the final S. Does this remind you of #GreekUncial ?
#palaeography #epigraphy
and the god shown is #Hermes / #Mercury whose mother was #MAIA
Why is May named after a goddess?
Consider the legends the Romans had about a group of Arcadians and their king migrating into Latium and their belief they and the Greeks worshipped the same gods?
Finally I also wonder if the designer of this mosaic was possibly a Greek living in or visiting North Africa. It's been counted to between the 3rd and 4th century A.D.
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